INTAGLIO PRINTS
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Toussaint Louverture |
Manhattan Bridge |
Truro Hostel |
Newark Bay Bridge |
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(etching & aquatint) |
(etching) |
(etching) |
(etching & aquatint) |
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Boat in Wellfleet Harbor |
The Pond in Monet's Garden |
A Quiet Moment |
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(Etching) |
(Etching) |
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A brief note on Intaglio prints
Intaglio printing method has been practiced for centuries. It is
derived from the Italian word "intagliare" which means
"cut into" (patterns and images have been scratched and
cut into a hard material). Etching, one of the methods, was made
popular by the Dutch etchers which included Rembrandt; other methods
include engravings, drypoints, mezzotints, aquatints…Other
well know printmakers include Mary Cassatt, Matisse, Whistler, Dürer,
Goya (famous for his aquatints), Picasso, Hopper, Sloan, Blackburn
etc.
Etching: the artist works on a plate of copper, zinc or steel; a
design first drawn on paper is then transferred to the plate (some
artists draw directly on the plate) and then drawn over through
a series of lines with an etching needle, the plate is then “etched”
in acid (the design is bitten into the surface so that it will retain
ink); the plate is then inked and ran through a press whereby the
ink is transferred by means of pressure to a sheet of paper to create
an “etching”.
Aquatint: etching in mass instead of in line like above; the surface
of the plate has been partially covered with many tiny particles
of rosin, the acid bites the uncovered area creating solid tonal
areas. The completed plate is then inked and printed in the same
manner as an etching.
The “edition” is the number of prints made from a given
plate. An additional ten percent of the number of prints in the
edition is printed for the artist’s personal use as “Artist’s
Proofs”. The prints are numbered, titled and signed by the
artist in pencil at the bottom – the edition is numbered in
Arabic (1/100 = number one out of 100 prints), the Artist’s
Proof is numbered in Roman ( A/P IV = the 4th artist proof).
After an edition has been printed, the plate is destroyed or defaced
to make sure that further prints cannot be pulled – the price/value
often would go up as the edition sells out.
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